Just a moment...
World's first 4k 60/50 p video recording camera, with a digital live MOS sensor that lets you capture every moment with perfection. 6K photo technology lets you uncover the new dimensions of photography and videography.
20.3 Megapixels | 4K 60/50 p | 6K PHOTO
MRP: INR 132,800/-
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Its difficult to handhold a camera at the best of times but don't fret, with the 5-axis Dual I.S. (Image Stabiliser) 2* intelligent compensation comes to your aid. This is the equivalent to 5 doublings of exposure duration meaning you can use a 5-stop slower shutter speed up to tele-end.
The LUMIX GH5 eliminates shake in both body and lens from wide-angle to tele-end**. It also works in both photo and video recording, including 4K video.
The astonishing power of the 5-axis Body I.S. corrects shake for all lenses, including classic lenses not equipped with O.I.S.
The LUMIX GH5 packs a real punch with its high-performance Digital Live MOS sensor sporting a whopping
20.3 megapixels to achieve the ultimate picture quality in the history of LUMIX G digital cameras. Together with the removal of the low-pass filter from the sensor, you can confidently capture the sharpest ever imagery with high dynamic range and artefact free. The LUMIX GH5 is a camera of beauty created by you and crafted by Panasonic engineering.
The marriage of an advanced Digital Live MOS sensor with the beautiful new Venus Engine 10 reproduces extraordinary colour detail and natural texture expression. Multipixel Luminance Generation and Intelligent Detail Processing render intense brightness and contrast. The Three-Dimensional Colour Control zings with rich colours from dark to bright shades and high-precision Multi Process NR makes your images pop even at high ISO sensitivity settings. Video users will be impressed with the improved performance in perceptual dynamic range at high ISO sensitivity settings.
Its difficult to handhold a camera at the best of times but don't fret, with the 5-axis Dual I.S. (Image Stabiliser) 2* intelligent compensation comes to your aid. This is the equivalent to 5 doublings of exposure duration meaning you can use a 5-stop slower shutter speed up to tele-end.
The LUMIX GH5 eliminates shake in both body and lens from wide-angle to tele-end**. It also works in both photo and video recording, including 4K video.
The astonishing power of the 5-axis Body I.S. corrects shake for all lenses, including classic lenses not equipped with O.I.S.
The LUMIX GH5 takes professional shooting performance to another level with high-precision, silky smooth 4K 60 p/50 p (QFHD 4K: 3840 x 2160 / MOV or MP4) video recording capability. Faster frame rates mean excellent motion compensation plus you can slow down footage inside your video editing timeline without losing detail. You also achieve perfect panning control and a suppression of the rolling shutter effect as seen in lesser frame rates.
High-resolution images and perfect focal length can also be achieved as the LUMIX GH5 features pixel for pixel, no sensor cropping recording. There's also no recording duration limit so you can go beyond 30 minutes in all record settings
* For a Digital Single Lens Mirrorless camera as of 4 January, 2017.
A plethora of video formats and bit rates prepare the LUMIX GH5 for use in a wide range of professional applications such as web, TV, DVD/Blu Ray and digital cinema production. You can select from four recording formats such as AVCHD and MP4 for playback ease, or MP4 (LPCM) and MOV for professional editing ease. Bit rates can be extended to a maximum of 400 Mbps* (ALL-Intra) or 150 Mbps (Long GOP (IPB Compression)), with no recording duration limit. The LUMIX GH5 is worldwide compatible as the system frequency can be selected from 59.94 Hz (NTSC), 50.00 Hz (PAL), or 24.00 Hz (CINEMA)
* Firmware update in summer 2017.
The LUMIX GH5 is built like a tank to withstand even heavy use out in the field. It is freezeproof down to -10-degrees in addition to splash / dustproof construction thanks to weather sealing on every joint, dial, and button. A magnesium alloy full diecast armour frame makes the body lightweight yet durable while bringing ruggedness to the compact size. This camera can go everywhere you can.
The shutter unit is durable for approx. 200,000 times release*. Not only does it offer the highest shutter speed
at max. 1/8000 to capture fast-moving 'spur-of-the-moment' shots but when used with fast
aperture lenses - even outdoors - it gives impressive de-focus.
The LUMIX GH5 offers you more intuitive control with the addition of a joystick over the conventional front /rear dials operation. A dedicated button allows direct reach to exposure compensation, white balance adjustment or ISO setting and a maximum of 5 settings can be assigned to the Fn buttons. All these components are designed to be operated easily and without taking your eyes away from the viewfinder.
LUMIX GH5 is equipped with dual SD card slot for larger capacity recording and efficient file arrangement. The dual SD card slots allow you to record in relay, backup, and simultaneous modes. Relay allows you to swap a full card out for an empty card so you can record virtually endlessly. The backup mode allows you to record continuously on one card, while you start and stop recording on the other card. Simultaneous record duplicates your recording on both cards.
A super high-resolution 3,680 k-dot OLED LVF (Live View Finder) brings gorgeous visibility and makes for perfect framing even under direct sunlight. A high 0.76 x magnification (3.5 cm camera equivalent) makes it easy to see image detail, your settings and icons, and, the long eye point distance of 2.1 cm is excellent for people who wear spectacles. Best of all, the OLED LVF ensures your pictures match up to exactly how you intended them
A huge 8.13-cm LCD monitor with a resolution of 1,620 k-dot approx. gives you a crisp live view and high
visibility even in sunny shooting conditions. It adopts RGBW (Red, Green, Blue, White) pixel structure to feature even higher visibility in sunny outdoors.
The tilt/swivel capability gives you the freedom to find unusual perspectives while maintaining easy operation
and full image control. The monitor has Touch Focus control to allow instant focus by simply touching the
subject on the screen. Plus, with Touch Shutter control you can point your finger at where you want the focus to be and it will release the shutter automatically.
The Bluetooth 4.2 (Low Energy) enables full-time connection between camera and smartphone with low energy consumption. After shooting, it automatically switches to Wi-Fi connection, transferring data to your smartphone. Backing up your photos is a breeze. Your smartphone detects your location at home, then the camera automatically connects to a Wi-Fi router and starts to copy photos to Google Drive. The Wi-Fi 5GHz (IEEE802.11ac) makes the transfers incredibly fast. You can use Panasonic's Lumix Image App for Android / iOS to control shutter and other settings, plus, video record Start / Stop without pysically touching the camera!
By using two batteries - one in the camera and the other in the grip* - the DMW-BGGH5 doubles the battery life for extended shooting. It also makes gripping more comfortable even in vertical angle shooting. Exclusively designed for the LUMIX GH5, the DMW-BGGH5 perfectly matches the camera, boasting splash/dust/freeze-proof rugged design with a Joystick Controller
The DMW-XLR1 enables high-grade stereo recording with an attached XLR microphone (2 channels - left and right) for professional video production. This neat little box performs both wonderfully in the field or in the studio - use it for directional miking or stereo live recording at gigs, lip-sync recording and more. High-res sound recording* at 96 kHz/24 bit is also selectable. The DMW-XLR1 features an easy-to-use design with physical switches / dials for easy setup and checking. The DC power is supplied via
the shoe connector.
TYPE | Type | Digital Single Lens Mirrorless camera | |
Recording media | SD Memory Card, SDHC Memory Card, SDXC Memory Card (Compatible with UHS-I / UHS-II UHS Speed Class 3 standard SDHC / SDXC Memory Cards) | ||
Image sensor size | 1.73 x 1.3 cm (in 4:3 aspect ratio) | ||
Lens mount | Micro Four Thirds mount | ||
IMAGE SENSOR | Type | Live MOS Sensor | |
Total pixels | 21.77 Megapixels | ||
Camera effective pixels | 20.33 Megapixels | ||
Color filter | Primary color filter | ||
Dust reduction system | Supersonic wave filter | ||
IMAGE STABILIZATION SYSTEM | Image sensor shift type (5-axis / 5-stop*), Dual I.S. (Dual I.S. 2 compatible) | ||
IMAGE STABILIZATION SYSTEM | * Based on the CIPA standard [Yaw/Pitch direction: focusing distance f=6 cm (3.5 cm camera equivalent f=12 cm), when H-FS12060 is used. | ||
RECORDING SYSTEM | Recording file format | Still image | JPEG (DCF, Exif 2.31), RAW |
6K PHOTO*1 / 4K PHOTO | 6K PHOTO: MP4 (H.265/HEVC, Audio format: AAC (2 ch)) | ||
6K PHOTO*1 / 4K PHOTO | 4K PHOTO: MP4 (H.264/MPEG-4 AVC, Audio format: AAC (2 ch)) | ||
Motion picture | MOV: H.264/MPEG-4 AVC (Audio format: LPCM (2 ch 48 kHz/16-bit, 48 kHz/24-bit*, 96 kHz/24-bit*)) *When attaching DMW-XLR1 (sold separately). | ||
Motion picture | MP4: H.264/MPEG-4 AVC, H.265/HEVC*7 (Audio format: LPCM (2 ch 48 kHz/16-bit), AAC (2 ch)) | ||
Motion picture | AVCHD Progressive, AVCHD (Audio format: Dolby Audio 2 ch) | ||
System frequency | 59.94 Hz, 50.00 Hz, 24.00 Hz | ||
Aspect ratio | 4:3, 3:2, 16:9, 1:1 | ||
Image quality | RAW, RAW+Fine, RAW+Standard, Fine, Standard | ||
Color Space | sRGB, AdobeRGB | ||
File size(Pixels) -Still Image | 4:3 | 5184x3888(L) / 3712x2784(M) / 2624x1968(S) / 4992x3744(6K PHOTO) / 3328x2496(4K PHOTO) | |
3:2 | 5184x3456(L) / 3712x2480(M) / 2624x1752(S) / 5184x3456(6K PHOTO) / 3504x2336(4K PHOTO) | ||
16:9 | 5184x2920(L) / 3840x2160(M) / 1920x1080(S) / 3840x2160(4K PHOTO) | ||
1:1 | 3888x3888(L) / 2784x2784(M) / 1968x1968(S) / 2880x2880(4K PHOTO) | ||
File size (Pixels) -Motion picture | MOV*2/*4-59.94 Hz | <[C4K] 4096x2160> 23.98 p, 150 Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) / 100 Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio) | |
MOV*2/*4-59.94 Hz | <[4K] 3840x2160> 59.94 p, 150 Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio) | ||
MOV*2/*4-59.94 Hz | <[4K] 3840x2160> 29.97 p, 400 Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio) *7 | ||
MOV*2/*4-59.94 Hz | <[4K] 3840x2160> 29.97 p, 150 Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) / 100 Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio) | ||
MOV*2/*4-59.94 Hz | <[4K] 3840x2160> 23.98 p, 400 Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio) *7 | ||
MOV*2/*4-59.94 Hz | <[4K] 3840x2160> 23.98 p, 150 Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) / 100 Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio) | ||
MOV*2/*4-59.94 Hz | <[Full HD] 1920x1080> 59.94 p, 200 Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio) *7 | ||
MOV*2/*4-59.94 Hz | <[Full HD] 1920x1080> 59.94 p, 100 Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) *6 | ||
MOV*2/*4-59.94 Hz | <[Full HD] 1920x1080> 59.94 p, 100 Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio) | ||
MOV*2/*4-59.94 Hz | <[Full HD] 1920x1080> 29.97 p, 200 Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio) *7 | ||
MOV*2/*4-59.94 Hz | <[Full HD] 1920x1080> 29.97 p, 100 Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) *6 | ||
MOV*2/*4-59.94 Hz | <[Full HD] 1920x1080> 29.97 p, 100 Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio) | ||
MOV*2/*4-59.94 Hz | <[Full HD] 1920x1080> 23.98 p, 200 Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio) *7 | ||
MOV*2/*4-59.94 Hz | <[Full HD] 1920x1080> 23.98 p, 100 Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) *6 | ||
MOV*2/*4-59.94 Hz | <[Full HD] 1920x1080> 23.98 p, 100 Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio) | ||
MOV*2/*4-50.00 Hz | <[4K] 3840x2160> 50.00 p, 150 Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio) | ||
MOV*2/*4-50.00 Hz | <[4K] 3840x2160> 25.00 p, 400 Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio) *7 | ||
MOV*2/*4-50.00 Hz | <[4K] 3840x2160> 25.00 p, 150 Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) / 100 Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio) | ||
MOV*2/*4-50.00 Hz | <[Full HD] 1920x1080> 50.00 p, 200 Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio) *7 | ||
MOV*2/*4-50.00 Hz | <[Full HD] 1920x1080> 50.00 p, 100 Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) *6 | ||
MOV*2/*4-50.00 Hz | <[Full HD] 1920x1080> 50.00 p, 100 Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio) | ||
MOV*2/*4-50.00 Hz | <[Full HD] 1920x1080> 25.00 p, 200 Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio) *7 | ||
MOV*2/*4-50.00 Hz | <[Full HD] 1920x1080> 25.00 p, 100 Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) *6 | ||
MOV*2/*4-50.00 Hz | <[Full HD] 1920x1080> 25.00 p, 100 Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio) | ||
MOV*2/*4-24.00 Hz | <[C4K] 4096x2160> 24.00 p, 400 Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio) *7 | ||
MOV*2/*4-24.00 Hz | <[C4K] 4096x2160> 24.00 p, 150 Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) / 100 Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio) | ||
MOV*2/*4-24.00 Hz | <[4K] 3840x2160> 24.00 p, 400 Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio) *7 | ||
MOV*2/*4-24.00 Hz | <[4K] 3840x2160> 24.00 p, 150 Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) / 100 Mbps (4:2:0 8-bit LongGOP) LPCM, High-Res Audio) | ||
MOV*2/*4-24.00 Hz | <[Full HD] 1920x1080> 24.00 p, 200 Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio) *7 | ||
MOV*2/*4-24.00 Hz | <[Full HD] 1920x1080> 24.00 p, 100 Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) *6 | ||
MOV*2/*4-24.00 Hz | <[Full HD] 1920x1080> 24.00 p, 100 Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio) | ||
MP4*2-59.94 Hz | <[C4K] 4096x2160> 23.98 p, 400 Mbps (4:2:2 10-bit ALL-Intra) (LPCM) *7 | ||
MP4*2-59.94 Hz | <[C4K] 4096x2160> 23.98 p, 150 Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100 Mbps (4:2:0 8-bit LongGOP) (LPCM) | ||
MP4*2-59.94 Hz | <[4K] 3840x2160> 59.94 p, 150 Mbps (4:2:0 8-bit LongGOP) (LPCM) | ||
MP4*2-59.94 Hz | <[4K] 3840x2160> 29.97 p, 400 Mbps (4:2:2 10-bit ALL-Intra) (LPCM) *7 | ||
MP4*2-59.94 Hz | <[4K] 3840x2160> 29.97 p, 150 Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100 Mbps (4:2:0 8-bit LongGOP) (LPCM) / 100 Mbps (4:2:0 8-bit LongGOP) (AAC) | ||
MP4*2-59.94 Hz | <[4K] 3840x2160> 23.98 p, 400 Mbps (4:2:2 10-bit ALL-Intra) (LPCM) *7 | ||
MP4*2-59.94 Hz | <[4K] 3840x2160> 23.98 p, 150 Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100 Mbps (4:2:0 8-bit LongGOP) (LPCM) / 100 Mbps (4:2:0 8-bit LongGOP) (AAC) | ||
MP4*2-59.94 Hz | <[Full HD] 1920x1080> 59.94 p, 200 Mbps (4:2:2 10-bit ALL-Intra) (LPCM) *7 | ||
MP4*2-59.94 Hz | <[Full HD] 1920x1080> 59.94 p, 100 Mbps (4:2:2 10-bit LongGOP) (LPCM) *6 | ||
MP4*2-59.94 Hz | <[Full HD] 1920x1080> 59.94 p, 100 Mbps (4:2:0 8-bit LongGOP) (LPCM) | ||
MP4*2-59.94 Hz | <[Full HD] 1920x1080> 29.97 p, 200 Mbps (4:2:2 10-bit ALL-Intra) (LPCM) *7 | ||
MP4*2-59.94 Hz | <[Full HD] 1920x1080> 29.97 p, 100 Mbps (4:2:2 10-bit LongGOP) (LPCM) *6 | ||
MP4*2-59.94 Hz | <[Full HD] 1920x1080> 29.97 p, 100 Mbps (4:2:0 8-bit LongGOP) (LPCM) | ||
MP4*2-59.94 Hz | <[Full HD] 1920x1080> 23.98 p, 200 Mbps (4:2:2 10-bit ALL-Intra) (LPCM) *7 | ||
MP4*2-59.94 Hz | <[Full HD] 1920x1080> 23.98 p, 100 Mbps (4:2:2 10-bit LongGOP) (LPCM) *6 | ||
MP4*2-59.94 Hz | <[Full HD] 1920x1080> 23.98 p, 100 Mbps (4:2:0 8-bit LongGOP) (LPCM) | ||
MP4*2-59.94 Hz | <[Full HD] 1920x1080> 29.97 p, 72 Mbps (4:2:0 10-bit LongGOP) (AAC) (HEVC, HLG recording) *7 | ||
MP4*2-59.94 Hz | <[Full HD] 1920x1080> 23.98 p, 72 Mbps (4:2:0 10-bit LongGOP) (AAC) (HEVC, HLG recording) *7 | ||
MP4*2-59.94 Hz | <[Full HD] 1920x1080> 59.94 p, 28 Mbps (4:2:0 8-bit LongGOP) (AAC) | ||
MP4*2-59.94 Hz | <[Full HD] 1920x1080> 29.97 p, 20 Mbps (4:2:0 8-bit LongGOP) (AAC) | ||
MP4*2-59.94 Hz | <[Full HD] 1920x1080> 23.98 p, 24 Mbps (4:2:0 8-bit LongGOP) (AAC) | ||
MP4*2-50.00 Hz | <[4K] 3840x2160>50.00 p, 150 Mbps (4:2:0 8-bit LongGOP) (LPCM) | ||
MP4*2-50.00 Hz | <[4K] 3840x2160>25.00 p, 400 Mbps (4:2:2 10-bit ALL-Intra) (LPCM) *7 | ||
MP4*2-50.00 Hz | <[4K] 3840x2160>25.00 p, 150 Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100 Mbps (4:2:0 8-bit LongGOP) (LPCM) / 100 Mbps (4:2:0 8-bit LongGOP) (AAC) | ||
MP4*2-50.00 Hz | <[Full HD] 1920x1080>50.00 p, 200 Mbps (4:2:2 10-bit ALL-Intra) (LPCM) *7 | ||
MP4*2-50.00 Hz | <[Full HD] 1920x1080>50.00 p, 100 Mbps (4:2:2 10-bit LongGOP) (LPCM) *6 | ||
MP4*2-50.00 Hz | <[Full HD] 1920x1080>50.00 p, 100 Mbps (4:2:0 8-bit LongGOP) (LPCM) | ||
MP4*2-50.00 Hz | <[Full HD] 1920x1080>25.00 p, 200 Mbps (4:2:2 10-bit ALL-Intra) (LPCM) *7 | ||
MP4*2-50.00 Hz | <[Full HD] 1920x1080>25.00 p, 100 Mbps (4:2:2 10-bit LongGOP) (LPCM) *6 | ||
MP4*2-50.00 Hz | <[Full HD] 1920x1080>25.00 p, 100 Mbps (4:2:0 8-bit LongGOP) (LPCM) | ||
MP4*2-50.00 Hz | <[Full HD] 1920x1080>25.00 p, 72 Mbps (4:2:0 10-bit LongGOP) (AAC) (HEVC, HLG recording) *7 | ||
MP4*2-50.00 Hz | <[Full HD] 1920x1080>50.00 p, 28 Mbps (4:2:0 8-bit LongGOP) (AAC) | ||
MP4*2-50.00 Hz | <[Full HD] 1920x1080>25.00 p, 20 Mbps (4:2:0 8-bit LongGOP) (AAC) | ||
MP4*2-24.00 Hz | <[C4K] 4096x2160> 24.00 p, 400 Mbps (4:2:2 10-bit ALL-Intra) (LPCM) *7 | ||
MP4*2-24.00 Hz | <[C4K] 4096x2160> 24.00 p, 150 Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100 Mbps (4:2:0 8-bit LongGOP) (LPCM) | ||
MP4*2-24.00 Hz | <[4K] 3840x2160> 24.00 p, 400 Mbps (4:2:2 10-bit ALL-Intra) (LPCM) *7 | ||
MP4*2-24.00 Hz | <[4K] 3840x2160> 24.00 p, 150 Mbps (4:2:2 10-bit LongGOP) (LPCM) / 100 Mbps (4:2:0 8-bit LongGOP) (LPCM) | ||
MP4*2-24.00 Hz | <[Full HD] 1920x1080> 24.00 p, 200 Mbps (4:2:2 10-bit ALL-Intra) (LPCM) *7 | ||
MP4*2-24.00 Hz | <[Full HD] 1920x1080> 24.00 p, 100 Mbps (4:2:2 10-bit LongGOP) (LPCM) *6 | ||
MP4*2-24.00 Hz | <[Full HD] 1920x1080> 24.00 p, 100 Mbps (4:2:0 8-bit LongGOP) (LPCM) | ||
MP4*2-24.00 Hz | <[Full HD] 1920x1080> 24.00 p, 24 Mbps (4:2:0 8-bit LongGOP) (AAC) | ||
AVCHD Progressive*2/ AVCHD*2-59.94 Hz | <[Full HD] 1920x1080> 59.94 p, 28 Mbps (LongGOP) (Dolby) | ||
AVCHD Progressive*2/ AVCHD*2-59.94 Hz | <[Full HD] 1920x1080> 59.94 i, 24 Mbps (LongGOP) (Dolby) (Sensor output is 29.97 fps) | ||
AVCHD Progressive*2/ AVCHD*2-59.94 Hz | <[Full HD] 1920x1080> 59.94 i, 17 Mbps (LongGOP) (Dolby) (Sensor output is 59.94 fps) | ||
AVCHD Progressive*2/ AVCHD*2-59.94 Hz | <[Full HD] 1920x1080> 23.98 p, 24 Mbps (LongGOP) (Dolby) | ||
AVCHD Progressive*2/ AVCHD*2-50.00 Hz | <[Full HD] 1920x1080> 50.00 p, 28 Mbps (LongGOP) (Dolby) | ||
AVCHD Progressive*2/ AVCHD*2-50.00 Hz | <[Full HD] 1920x1080> 50.00 i, 24 Mbps (LongGOP) (Dolby) (Sensor output is 25.00 fps) | ||
AVCHD Progressive*2/ AVCHD*2-50.00 Hz | <[Full HD] 1920x1080> 50.00 i, 17 Mbps (LongGOP) (Dolby) (Sensor output is 50.00 fps) | ||
Continuous recordable time (Motion picture) | AVCHD [FHD/60 p]: Approx. 150 min (rear monitor), 150 min (LVF) with H-ES12060, Approx. 160 min (rear monitor), 150 min (LVF) with H-HSA12035 / H-FS12060 | ||
Continuous recordable time (Motion picture) | AVCHD [FHD/60 i]: Approx. 150 min (rear monitor), 150 min (LVF) with H-ES12060, Approx. 160 min (rear monitor), 160 min (LVF) with H-HSA12035 / H-FS12060 | ||
Continuous recordable time (Motion picture) | MP4 [4K/60 p]: Approx. 100 min (rear monitor), 100 min (LVF) with H-ES12060 / H-HSA12035 / H-FS12060 | ||
Continuous recordable time (Motion picture) | MP4 [4K/30 p]: Approx. 110 min (rear monitor), 110 min (LVF) with H-ES12060 / H-HSA12035 / H-FS12060" | ||
Actual recordable time (Motion picture) | AVCHD [FHD/60 p]: Approx. 75 min (rear monitor), 75 min (LVF) with H-ES12060, Approx. 80 min (rear monitor), 75 min (LVF) with H-HSA12035 / H-FS12060 | ||
Actual recordable time (Motion picture) | AVCHD [FHD/60 i]: Approx. 75 min (rear monitor), 75 min (LVF) with H-ES12060, Approx. 80 min (rear monitor), 80 min (LVF) with H-HSA12035 / H-FS12060 | ||
Actual recordable time (Motion picture) | MP4 [4K/60 p]: Approx. 50 min (rear monitor), 50 min (LVF) with H-ES12060 / H-HSA12035 / H-FS12060 | ||
Actual recordable time (Motion picture) | MP4 [4K/30 p]: Approx. 55 min (rear monitor), 55 min (LVF) with H-ES12060 / H-HSA12035 / H-FS12060 | ||
WIRELESS | WiFi | IEEE 802.11 a/b/g/n/ac * 5 GHz Wi-Fi is not available in some countries. | |
WiFi | 1-13, 36, 40, 44, 48, 52, 56, 60, 64 ch | ||
Bluetooth | Bluetooth® v4.2 (Bluetooth Low Energy (BLE)) | ||
QR Code Connection | Yes | ||
Password-less connection | Yes (ON / OFF selectable) | ||
VIEWFINDER | Type | OLED Live View Finder (3,680 k dots) | |
Field of view | Approx. 100% | ||
Magnification | Approx. 1.52 x / 0.76 x (3.5 cm camera equivalent) with 5 cm lens at infinity; -1.0 m-1 | ||
Eye point | Approx. 2.1 cm from eyepiece lens | ||
Diopter adjustment | -4.0 - +3.0 (dpt) | ||
Eye sensor | Yes | ||
Eye sensor adjustment | High / Low | ||
FOCUS | Type | Contrast AF system | |
DFD technology | Yes | ||
Post Focus | Yes | ||
Focus Stacking | Yes | ||
Focus mode | AFS (Single) / AFF (Flexible) / AFC (Continuous) / MF | ||
AF mode | Face/Eye Detection / Tracking / 225-Area / Custom Multi / 1-Area / Pinpoint | ||
AF mode | (Full area touch is available) (Scalable AF frame size (by front/rear dial) and flexible AF position (by Joystick)) | ||
AF detective range | EV -4 - 18 (ISO100 equivalent) | ||
AF assist lamp | Yes | ||
AF lock | Yes (AF/AE LOCK button) | ||
AF custom setting | AF Sensitivity, AF Area Switching Sensitivity, Moving Object Prediction | ||
Others | One Shot AF, Shutter AF, Half Press Release, Quick AF, Continuous AF (during motion picture recording), Eye Sensor AF, AF+MF, MF Assist, Touch MF Assist, Focus Peaking, Touch AF/AE Function, Touch Pad AF, Touch Shutter | ||
EXPOSURE CONTROL | Light metering system | 1,728-zone multi-pattern sensing system | |
Light metering mode | Multiple / Center Weighted / Spot | ||
Metering range | EV0-18 (F2.0 lens, ISO100 equivalent) | ||
Exposure mode | Program AE, Aperture Priority AE, Shutter Priority AE, Manual | ||
ISO sensitivity (Standard Output Sensitivity) | Still image: Auto / Intelligent ISO / 100 (Extended) / 200 / 400 / 800 / 1600 / 3200 / 6400 / 12800 / 25600 (Changeable to 1/3 EV step) | ||
ISO sensitivity (Standard Output Sensitivity) | Creative Video Mode: Auto / 100 (Extended) / 200 / 400 / 800 / 1600 / 3200 / 6400 / 12800 (Changeable to 1/3 EV step) | ||
Exposure compensation | 1/3 EV step ±5 EV (±3 EV for motion picture) | ||
AE lock | Yes (AF/AE LOCK button) | ||
WHITE BALANCE | White balance | AWB / AWBc / Daylight / Cloudy / Shade / incandescent / Flash / White Set 1, 2, 3, 4 / Color temperature setting 1, 2, 3, 4 | |
White balance adjustment | Blue/Amber bias, Magenta/Green bias | ||
Color temperature setting | 2500-10000 K in 100 K | ||
SHUTTER | Type | Focal-plane shutter | |
Shutter speed | Still image: Bulb (Max. 30 minutes), 1/8,000 - 60 | ||
Shutter speed | Electronic first curtain shutter: Bulb (Max. 30 minutes), 1/2,000 - 60 | ||
Shutter speed | Electronic shutter: 1/16,000 - 1 | ||
Shutter speed | Motion picture: 59.94 Hz: 1/16,000 - 1/30, 50.00 Hz: 1/16,000 - 1/25, 23.98 Hz: 1/16,000 - 1/24 (When using Synchro Scan) | ||
Shutter life | Approx. 200,000 images | ||
Self timer | 10 sec, 3 images / 2 sec / 10 sec | ||
Remote control | Remote control with Bulb function by DMW-RSL1 (sold separately) | ||
BRACKET | AE bracket | 3, 5, 7 images in 1/3, 2/3 or 1 EV step, max. ±3 EV, single/burst | |
Aperture Bracket | 3, 5 or all positions in 1 EV step | ||
Focus Bracket | 1 to 999 images, focus steps can be set in 5 levels | ||
White balance bracket | 3 exposures in blue/amber axis or in magenta/green axis, color temperature setting | ||
BURST SHOOTING | Burst speed | [Mechanical shutter] AFS/MF: H: 12 frames/sec, M: 7 frames/sec (with Live View), L: 2 frames/sec (with Live View) | |
Burst speed | [Mechanical shutter] AFF/AFC: H: 9 frames/sec, M: 7 frames/sec (with Live View), L: 2 frames/sec (with Live View) | ||
Burst speed | [Electronic shutter] AFS/MF: H: 12 frames/sec, M: 7 frames/sec (with Live View), L: 2 frames/sec (with Live View) | ||
Burst speed | [Electronic shutter] AFF/AFC: H: 9 frames/sec, M: 7 frames/sec (with Live View), L: 2 frames/sec (with Live View) | ||
Number of recordable images | More than approx. 60 images (when there are RAW files with the particular speed) | ||
Number of recordable images | More than approx. 600 images (when there are no RAW files) | ||
Number of recordable images | (depending on memory card size, battery power, picture size, and compression) | ||
6K PHOTO*1 / 4K PHOTO | Burst speed | [6K PHOTO] 30 frames/sec | |
Burst speed | [4K PHOTO] 60 frames/sec, 30 frames/sec | ||
Exif information | Yes (Each JPEG image cropped out of the 6K/4K burst file complies with EXIF.) | ||
Marking function | Yes (in 6K/4K Burst (S/S) mode) | ||
Loop rec function | Yes (in 6K*7/4K Burst (S/S) mode) | ||
FLASH | Flash type | TTL External Flash (sold separately) | |
Flash Mode | Auto*, Auto/Red-eye Reduction*, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off * For iA, iA+ only. | ||
Synchronization speed | Less than 1/250 second | ||
Flash output adjustment | 1/3 EV step ±3 EV | ||
Flash synchronization | 1st. Curtain Sync, 2nd Curtain Sync. | ||
Synchronization for flash dimming and exposure compensation | Yes | ||
Wireless control | Yes (When using DMW-FL200L / FL360L / FL580L (sold separately)), Wireless Channel: 1 ch/2 ch/3 ch/4 ch | ||
Flash sync socket | Yes | ||
REAR MONITOR | Type | TFT LCD monitor with static touch control | |
Monitor size | Free-angle 8.0 cm / 3:2 aspect / Wide viewing angle | ||
Pixels | Approx. 1,620 k dots | ||
Filed of view | Approx. 100% | ||
Monitor adjustment | Brightness, Contrast, Saturation, Red-Green, Blue-Yellow | ||
LIVE VIEW | Digital zoom | 2 x, 4 x | |
Extra Tele Conversion | Still image: Max. 2 x | ||
Extra Tele Conversion | 4K PHOTO: 1.6 x (4:3), 1.5 x (3:2), 1.4 x (16:9, 1:1) | ||
Extra Tele Conversion | Motion picture: 2.7 x (FHD), 1.4 x (4K) | ||
Other functions | Level Gauge, Real-time Histogram, Guide Lines (3 patterns), Center Marker, Highlight display (Still image / motion picture), Zebra pattern (Still image / motion picture) | ||
DIRECTION DETECTION FUNCTION | Direction Detection Function | Yes | |
FUNCTION BUTTON | REC | Wi-Fi / Q.MENU / LVF/Monitor Switch / LVF/Monitor Disp. Style / AF/AE LOCK / AF-ON / Preview / One Push AE / Touch AE / Level Gauge / Focus Area Set / Zoom Control / 1 Shot RAW+JPG / 1 Shot Spot Metering / Operation Lock / Dial Operation Switch / Photo Style / Filter Select / Aspect Ratio / Picture Size / Quality / AFS/AFF / Metering Mode / Burst Rate / 6K/4K PHOTO / Self Timer / Bracket / Highlight Shadow / i. Dynamic / i. Resolution / Post Focus / HDR / Shutter Type / Flash Mode / Flash Adjust. / Wireless Flash Setup / Ex. Tele Conv. / Digital Zoom / Stabilizer / ON/OFF of each item in White Balance / ON/OFF of each item in Photo Style / AF Mode/MF / Rec/Playback Switch / Off / 4K Live Cropping / Motion Pic. Rec Format / Motion Pic. Rec Quality / Variable Frame Rate / Picture Mode in Rec. / Synchro Scan / Time Code Display / Mic. Directivity Adjust / Color Bars / WFM/Vector Scope / Focus Transition / LUT Monitor Display* / LUT HDMI Display* / Silent Mode / Peaking / Histogram / Guide Line / Zebra Pattern / Monochrome Live View / Rec Area / Video-Priority Display / Step Zoom / Zoom Speed / Restore to Default / Video Record*7 / Destination Slot*7 / Min. Shtr Speed*7 / I.S. Lock (video)*7 / Mic Level Adj.*7 / HLG View Assist (HDMI)*7 / Anamorphic Desqueeze Display*7 / HLG View Assist*7 / Video Guide Line*7 / Constant Preview*7 Upgrade Software Key DMW-SFU1 (sold separately) is required. | |
PLAY | Wi-Fi / LVF/Monitor Switch / Slot Change / 6K/4K Photo Play / Delete Single / Protect / Rating 1, 2, 3, 4, 5 / Print Set / Copy / Off / Restore to Default / Rec/Playback Switch*7 / RAW Processing*7 / 6K/4K PHOTO Bulk Saving*7 / Anamorphic Desqueeze Display*7 / HLG View Assist*7 / HLG View Assist (HDMI) *7 | ||
PHOTO STYLE | Photo Style | Standard / Vivid / Natural / Monochrome / L. Monochrome / Scenery / Portrait / Custom 1, 2, 3, 4 / Cinelike D / Cinelike V / Like709* / Hybrid Log Gamma*/*7 / V-LogL*/** | |
Photo Style | *When Creative Video Mode is selected. **Upgrade Software Key DMW-SFU1 (sold separately) is required. | ||
CREATIVE CONTROL | Creative Control | Expressive / Retro / Old Days / High Key / Low Key / Sepia / Monochrome / Dynamic Monochrome / Rough Monochrome* / Silky Monochrome* / Impressive Art / High Dynamic / Cross Process / Toy Effect / Toy Pop / Bleach Bypass / Miniature Effect** / Soft Focus* / Fantasy / Star Filter* / One Point Color / Sunshine* *For photos only. **Not available in 4:2:2 10-bit video or 4K video recording. | |
CREATIVE VIDEO MODE | Exposure mode | Program AE/ Aperture-Priority / Sutter-Priority / Manual Exposure | |
Variable frame rate | 59.94 Hz | ||
59.94 Hz | |||
59.94 Hz | |||
59.94 Hz | |||
59.94 Hz | |||
50.00 Hz | |||
50.00 Hz | |||
50.00 Hz | |||
24.00 Hz | |||
24.00 Hz | |||
ANAMORPHIC MODE | High-Resolution Anamorphic mode (4:3) | MP4*2/59.94 Hz | <4992x3744> MP4/59.94 p 29.97 p, 200 Mbps (4:2:0 10-bit LongGOP) (LPCM) (HEVC) *7/<4992x3744> MP4/59.94 p 23.98 p, 200 Mbps (4:2:0 10-bit LongGOP) (LPCM) (HEVC) *7 |
MP4*2/50.00 HZ | <4992x3744> MP4/59.94 p 25.00 p, 200 Mbps (4:2:0 10-bit LongGOP) (LPCM) (HEVC) *7 | ||
MP4*2/24.00 Hz | <4992x3744> MP4/59.94 p 24.00 p, 200 Mbps (4:2:0 10-bit LongGOP) (LPCM) (HEVC) *7 | ||
Anamorphic 4K mode (4:3) | MOV*2/*4-59.94 Hz | <3328x2496> 59.94 p, 150 Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio) | |
MOV*2/*4-59.94 Hz | <3328x2496> 29.97 p, 400 Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio) *7 | ||
MOV*2/*4-59.94 Hz | <3328x2496> 29.97 p, 150 Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) *6 | ||
MOV*2/*4-59.94 Hz | <3328x2496> 29.97 p, 100 Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio) | ||
MOV*2/*4-59.94 Hz | <3328x2496> 23.98 p, 400 Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio) *7 | ||
MOV*2/*4-59.94 Hz | <3328x2496> 23.98 p, 150 Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) *6 | ||
MOV*2/*4-59.94 Hz | <3328x2496> 23.98 p, 100 Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio) | ||
MOV*2/*4-50.00 Hz | <3328x2496> 50.00 p, 150 Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio) | ||
MOV*2/*4-50.00 Hz | <3328x2496> 25.00 p, 400 Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio) *7 | ||
MOV*2/*4-50.00 Hz | <3328x2496> 25.00 p, 150 Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) *6 | ||
MOV*2/*4-50.00 Hz | <3328x2496> 25.00 p, 100 Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio) | ||
MOV*2/*4-24.00 Hz | <3328x2496> 24.00 p, 400 Mbps (4:2:2 10-bit ALL-Intra) (LPCM, High-Res Audio) *7 | ||
MOV*2/*4-24.00 Hz | <3328x2496> 24.00 p, 150 Mbps (4:2:2 10-bit LongGOP) (LPCM, High-Res Audio) *6 | ||
MOV*2/*4-24.00 Hz | <3328x2496> 24.00 p, 100 Mbps (4:2:0 8-bit LongGOP) (LPCM, High-Res Audio) | ||
MP4*2-59.94 Hz | <3328x2496>59.94 p, 150 Mbps (4:2:0 8-bit LongGOP) (LPCM) | ||
MP4*2-59.94 Hz | <3328x2496>29.97 p, 400 Mbps (4:2:2 10-bit ALL-Intra) (LPCM) *7 | ||
MP4*2-59.94 Hz | <3328x2496>29.97 p, 150 Mbps (4:2:2 10-bit LongGOP) (LPCM) *6 | ||
MP4*2-59.94 Hz | <3328x2496>29.97 p, 100 Mbps (4:2:0 8-bit LongGOP) (LPCM) | ||
MP4*2-59.94 Hz | <3328x2496>23.98 p, 400 Mbps (4:2:2 10-bit ALL-Intra) (LPCM) *7 | ||
MP4*2-59.94 Hz | <3328x2496>23.98 p, 150 Mbps (4:2:2 10-bit LongGOP) (LPCM) *6 | ||
MP4*2-59.94 Hz | <3328x2496>23.98 p, 100 Mbps (4:2:0 8-bit LongGOP) (LPCM) | ||
MP4*2-50.00 Hz | <3328x2496> 50.00 p, 150 Mbps (4:2:0 8-bit LongGOP) (LPCM) | ||
MP4*2-50.00 Hz | <3328x2496> 25.00 p, 400 Mbps (4:2:2 10-bit ALL-Intra) (LPCM) *7 | ||
MP4*2-50.00 Hz | <3328x2496> 25.00 p, 150 Mbps (4:2:2 10-bit LongGOP) (LPCM) *6 | ||
MP4*2-50.00 Hz | <3328x2496> 25.00 p, 100 Mbps (4:2:0 8-bit LongGOP) (LPCM) | ||
MP4*2-24.00 Hz | <3328x2496> 24.00 p, 400 Mbps (4:2:2 10-bit ALL-Intra) (LPCM) *7 | ||
MP4*2-24.00 Hz | <3328x2496> 24.00 p, 150 Mbps (4:2:2 10-bit LongGOP) (LPCM) *6 | ||
MP4*2-24.00 Hz | <3328x2496> 24.00 p, 100 Mbps (4:2:0 8-bit LongGOP) (LPCM) | ||
MOTION PICTURE FUNCTION | Master pedestal level | 31 steps | |
Luminance level | 8-bit: 0-255 / 16-235 / 16-255 | ||
Luminance level | 10-bit: 0-1023 / 64-940 / 64-1023 | ||
Wave form monitor / Vectorscope | Selectable | ||
LUT display | LUT Monitor Display / LUT HDMI Display *Upgrade Software Key DMW-SFU1 (sold separately) is required. | ||
Synchro scan | Yes | ||
Time code | Count Up: Rec Run/Free Run selectable, Time Code Mode: Drop frame/Non-drop frame selectable (When system frequency [59.94 Hz] is selected.) | ||
SS/Gain operation | Shutter Duration/ISO / Angle/ISO / Shutter Duration/dB | ||
Color bars / 1kHz test tone | Yes (SMPTE / EBU / ARIB) / Yes | ||
Photo style for motion picture | Cinelike D / Cinelike V / Like709* / Hybrid Log Gamma*/*7 / V-LogL*/** | ||
Photo style for motion picture | *When Creative Video Mode is selected. **Upgrade Software Key DMW-SFU1 (sold separately) is required. | ||
Knee control | Yens (in Like709 mode) | ||
PLAYBACK | Playback mode | 30-thumbnail display, 12-thumbnail display, Calendar display, Zoomed playback (Max. 16 x), Slideshow (All / Picture Only / Video Only, duration & effect is selectable), Playback Mode (Normal / Picture Only / Video Only), Protect, Rating, Title Edit, Face Recognition Edit, DPOF Print Set, RAW Processing, 6K/4K PHOTO Bulk Saving, 6K/4K PHOTO Noise Reduction, Light Composition, Clear Retouch, Text Stamp, Copy, Resize, Cropping, Rotate, Video Divide, Time Lapse Video, Stop Motion Video, Rotation Display, Anamorphic Desqueeze Display*7, HLG View Assist*7, Picture Sort, Delete Confirmation, Creating Still Pictures from a Motion Picture | |
IMAGE PROTECTION / ERASE | Protection | Single / Multi or Cancel | |
Erase | Single / Multi / All / Except Favorite | ||
Direct Print | PictBridge compatible | ||
INTERFACE | USB | USB Type-C, Super Speed USB3.1 GEN1 | |
HDMI*3 | Monitor-through | 4:2:2 10-bit (When [Rec Quality] is set to [4:2:2 10 bit] or when [Rec Quality] is set to [4K/60 p]/[4K/50 p] and [4K/60p Bit Mode]/[4K/50 p Bit Mode] is set to [4:2:2 10 bit]. When [4K/60 p]/[4K/50 p] mode is selected in [Rec Quality], it is not possible to record motion picture or still picture on the SD memory card in the camera unit.) | |
Monitor-through | 4:2:2 8 bit (When [Rec Quality] is set to [4:2:0 8 bit], except for [4K 60 p]/[4K/50 p]) | ||
Monitor-through | 4:2:0 8 bit (When [Rec Quality] is set to [4K/60 p]/[4K/50 p] and [4K/60 p Bit Mode]/[4K/50 p Bit Mode] is set to [4:2:0 8 bit].) | ||
Monitor-through | Auto / 4K/30 p /25 p / 1080 p / 1080 i / OFF | ||
Monitor-through | Information display ON/OFF (selectable) | ||
Monitor-through | Automatic down-conversion | ||
Monitor-through | HLG View Assist (HDMI) AUTO / MODE1 / MODE2 / OFF (selectable)*7 | ||
Playback | HDMI TypeA / VIERA Link, Audio: Stereo | ||
Playback | 59.94 Hz: Auto / 4K/60 p / 4K/30 p / 1080 p / 1080 i / 720 p / 480 p | ||
Playback | 50.00 Hz: Auto / 4K/50 p / 4K/25 p / 1080 p / 1080 i / 720 p / 576 p | ||
Playback | 24.00 Hz: Auto / C4K / 4K/24 p / 1080 p | ||
Audio video output | No | ||
Remote input | φ0.25 cm for remote | ||
External microphone input | φ0.35 cm for external microphone | ||
External microphone input | Stereo/Lens Auto/Shotgun/Super Shotgun/Manual is selectable when attaching DMW-MS2 (sold separately). | ||
Headphone output | φ0.35 cm for headphone | ||
Microphone | Stereo, Wind Noise Canceller: OFF / Low / Standard / High / AUTO | ||
High-res audio recording | Yes with DMW-XLR1 (sold separately) | ||
Speaker | Monaural | ||
SD card slot | Slot 1, Slot 2 | ||
LANGUAGE | OSD language | English, Chinese (Traditional), Chinese (Simplified), Thai, Arabic, Persian, Vietnamese, Hindi | |
GENERAL | POWER | Battery | Li-ion Battery Pack (7.2 V, 1860 mAh, 14 Wh) (included) |
Battery life (CIPA standard) | Approx. 410 images (rear monitor), 400 images (LVF), 1,000 images (Power Save LVF mode*) with H-FS12060 | ||
Battery life (CIPA standard) | Approx. 410 images (rear monitor), 390 images (LVF), 1,000 images (Power Save LVF mode*) with H-HSA12035 | ||
Battery life (CIPA standard) | Approx. 400 images (rear monitor), 380 images (LVF), 1,000 images (Power Save LVF mode*) with H-ES12060 | ||
Battery life (CIPA standard) | * Under the test conditions specified by Panasonic based on CIPA standard. When the time to get in the sleep mode is set to 3 sec. | ||
Battery grip | DMW-BGGH5 (sold separately) | ||
DIMENSIONS / WEIGHT | Dimensions (W x H x D) | 13.85 x 9.81 x 8.74 cm (excluding protrusions) | |
Weight | Approx. 725 g / 1.60 lb (SD card, Battery, Body) | ||
Weight | Approx. 645 g / 1.42 lb (Body only) | ||
Weight | Approx. 935 g / 2.06 lb (SD card x 1, Battery, H-FS12060 lens included) | ||
Weight | Approx. 1030 g / 2.27 lb (SD card x 1, Battery, H-HSA12035 lens included) | ||
Weight | Approx. 1045 g / 2.30 lb (SD card x 1, Battery, H-ES12060 lens included) | ||
OPERATING ENVIRONMENT | Operating temperature*5 | -10°C to 40°C (14°F to 104°F) | |
Operating humidity | 10%RH to 80%RH | ||
STANDARD ACCESSORIES | Software | . The software to edit and playback images on computer is not bundled with this camera. To do this, PHOTOfunSTUDIO 10.0XE is available for download at Panasonic website using computer connected to the Internet. http://panasonic.jp/support/global/cs/soft/download/d_pfs99pe.html (For Windows) . The software to process RAW file on computer is not bundled with this camera. To do this, SILKYPIX Developer Studio is available for download at Ichikawa Soft Laboratory's website using computer connected to the Internet. http://www.isl.co.jp/SILKYPIX/english/p/ (For Windows / Mac) | |
Standard accessories | Battery Charger (AC Cable included), Battery Pack, Body Cap, Hot Shoe Cover, Eye Cup, Flash Syncro Socket Cap, Cover for the Battery Grip Connector, USB Connection Cable, Shoulder Strap, Cable Holder, Lens Cap*, Lens Hood*, Lens Rear Cap* | ||
Standard accessories | *Included with DC-GH5L kit, DC-GH5A kit and DC-GH5M kit. | ||
INTERCHANGEABLE LENS-1 | Lens Name | LEICA DG VARIO-ELMARIT 1.2-6 cm / F2.8-4.0 ASPH. / POWER O.I.S. | |
Lens Construction | 14 elements in 12 groups (4 aspherical lenses, 2 ED lenses) | ||
Nano Surface Coating | Yes | ||
Mount | Micro Four Thirds mount | ||
Optical Image Stabilizer | Yes (POWER O.I.S.) | ||
Focal Length | f=1.2-6 cm (3.5 cm camera equivalent 2.4-12 cm) | ||
Aperture Type | 9 diaphragm blades / Circular aperture diaphragm | ||
Maximum Aperture | F2.8 (Wide) - F4.0 (Tele) | ||
Minimum Aperture | F22 | ||
Closest Focusing Distance | 0.20 m/0.66 ft (at focal length 1.2 cm) / 0.24 m/0.79 ft (at focal length 6 cm) | ||
Maximum magnification | Approx. 0.3 x / 0.6 x (3.5 cm camera equivalent) | ||
Diagonal Angle of View | 84°(Wide) - 20°(Tele) | ||
Weatherproof | Splash/Dust/Freezeproof | ||
General | Filter Size | φ6.2 cm | |
Max. Diameter | φ6.84 cm | ||
Overall Length | Approx. 8.6 cm (from the tip of the lens to the base side of the lens mount) | ||
Weight [g] | Approx. 320 g (excluding lens cap, lens rear cap and lens hood) | ||
Weight [oz] | Approx. 11.29 oz (excluding lens cap, lens rear cap and lens hood) | ||
NOTE | *1 6K PHOTO is a high speed burst shooting function that cuts a still image out of a 4:3 or 3:2 video footage with approx. 18-megapixel (approx. 6000 x 3000 effective pixel count) that the 6K image manages. | ||
NOTE | *2 About motion picture recording / 6K PHOTO/4K PHOTO recording | ||
NOTE | - Use a card with SD Speed Class with ""Class 4"" or higher when recording motion pictures in [AVCHD] or [MP4(under 28 Mbps)]. | ||
NOTE | - Use a card with SD Speed Class with ""UHS-I / UHS-II UHS Speed Class 3 (U3)"" when recording motion pictures with [MP4] in [4K], [mov] or [6K PHOTO/4K PHOTO]. | ||
NOTE | (SD speed class is the speed standard regarding continuous writing.) | ||
NOTE | - MP4 motion pictures with [MP4] in [4K]: | ||
NOTE | - When using an SDHC memory card: You can continue recording without interruption even if the file size exceeds 4 GB, but the motion picture file will be divided and recorded/played back separately. | ||
NOTE | - When using an SDXC memory card: You can continue recording without interruption even if the file size exceeds 96 GB or 3 hours 4 minutes in length, but the motion picture file will be divided and recorded/played back separately. | ||
NOTE | - MP4 motion pictures with [MP4] in [FHD]: | ||
NOTE | - You can continue recording without interruption even if the file size exceeds 4 GB or 30 minutes in length, but the motion picture file will be divided and recorded/played back separately. | ||
NOTE | *3 For [4K 60 p] [4K 50 p] video output, use an HDMI2.0 cable that has the HDMI logo on it, and that is described as"4K compatible". | ||
NOTE | *4 High-res audio is selectable only when using the DMW-XLR1 (sold separately). | ||
NOTE | *5 The camera may stop recording when used in lower or higher than recommended operating temperature: -10 to 40 degrees. | ||
NOTE | *6 Firmware must be updated to version 1.1 or later. | ||
NOTE | *7 Firmware must be updated to the latest version 2.0. | ||
NOTE | - Video Speed Class 60 or higher is required for ALL-Intra 400 Mbps recording. Use of SD Memory Card with Video Speed Class 60 or higher is recommended for 4K ALL-Intra video recording. | ||
NOTE | - Use of Panasonic SD Memory Card with Video Speed Class 90 is recommended for [Loop Rec] of [6K PHOTO]. | ||
NOTE | . 4:2:2 10-bit recording is a recording mode for film production and the video needs to be processed on PC. | ||
NOTE | The original video cannot be played on standard TV, Blu-ray Disc™ recorder and Blu-ray Disc™ player. | ||
NOTE | It may cause problems such as freezing when played on these devices.. |
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